I stood outside The People’s Palace on The Mile End road, one hot July afternoon in 1980. Somehow standing there I could feel her presence on that wintry evening all those years ago. She would have been hesitant, afraid, and yet thrilled. She would have walked up those few enlightening steps, gripped tightly and disapprovingly by her mother. Herbert Marks would have stood beside the pillared archway, smiling, his face lit to the cold night air… Dear Herbert whose stomach ulcers in time would become the better of him… was the most sweetest of men. They would have entered this great hall arm in arm and performed with an exacting elegance under chandeliers that sparkled like a thousand tiny gems. Here gowns would have been filled with paraded ladies of charm, whilst men squinted through solitary eyeglasses and ordered waiters and drinks around.
In my hand was her silver pendant, it gleamed at me from its loneliness. It had hung around her neck that evening… a heart shaped pendant that opened to a tiny portrait of her… later she had added a picture of her beloved Charles.
The stone steps leading to the terraced balustrade were worn now with the progress of time and footsteps, and the archway of pillared marble, chaffed and pitted by the chilling winter winds that rose from the east of the City… and as I stood there with my thoughts… a shiver ran through my veins.
Enid Stamp Taylor was born on Sunday the 12th of June 1904 in the agreeable, late Victorian, seaside town of Whitley Bay in the North East corner of England. She was the only daughter of Army Major George Stamp Taylor and his wife Agnes. Some years later they had a son and named him Robin Geoffrey. But tragically, he died at the very young age of only ten years whilst away from home and at boarding school.
Regretfully, the distraught parents separated in 1918, and Enid and her mother moved to London in order to stay with friends. It was here, that Enid’s interest in the stage began to blossom. She had reluctantly entered a beauty contest and then won the first prize of a part in the chorus line of a top West End show. The quality of her voice and exacting diction soon led her to stage training under Rosina Filippi, and in 1923 she toured in the ‘The Lady of the Rose’. During the thirties and forties, along with her agent Al Parker, she successfully built a powerful film and stage persona. In 1929 she married the prosperous businessman Sidney Colton, and in 1934 they had their beautiful daughter Robin Anne’. However, two years later the marriage was over and consolation came in the form of another businessman by the name of Louis Jackson, and for a while they lived happily at Catherine Place, Westminster; close to Buckingham Palace.
Sadly, Enid died alone, and during the bitter cold winter that followed the summer of 1945. She had collapsed from a cerebral hemorrhage in the bathroom of her Park Lane address and was found by the maid in the early hours of that subsequent terrible Monday morning.
Some of the photographs included from time to time on my weblog pages -because this site is dedicated to words and pictures, a picture is worth a thousand words… come from Robin Anne’s own private collection. They are… those treasured memories that we like to keep as images of a near forgotten world. And now, she sleeps so prettily, beside the little picturesque church of St. Nicholas in the quiet and charming Surrey village of Alfold, and where now and then… I refresh a single red rose to her memory.
Enid Stamp Taylor… And friends! Enid and two cherished companions on holiday at Portmeirion North Wales in the August of 1937. The holiday village of Portmeirion was the setting for the famous TV series of ’The Prisoner’ starring Patrick McGoohan. Enid is pictured snapped by family members ‘The Poritts’… The architect Clough Williams-Ellis was the brainchild behind ‘Portmeirion’ – the Italianate village known as ‘The Xanadu of Wales’… and it’s likely he was a friend to Enid.

I think it is something of an importance to include this picture of Enid taken in 1934 whilst she relaxed with those around her that really mattered in her life. The shot was taken in the back garden of her West London home by Enid’s husband Sidney Colton.

This very rare snapshot is thought to be taken on Hampstead Heath, North London soon after Enid Stamp Taylor’s marriage to diamond merchant Sidney Colton. Left is Agnes Stamp Taylor, Enid and Sidney. The car is a Rolls Royce and the picture is seemingly taken by Agnes’s second husband Sidney Stobart around 1930.
A place where Enid Stamp Taylor loved to stay and relax when not working in Theatre or Film was the residential Velhurst Farm at Alfold, Surrey, in the south of England.
In this wartime photograph, Enid is picture with a family cousin during one of the many social evenings at Velhurst Farm.
Mother and Daughter… Enid Stamp Taylor and daughter Robin Anne…
Thought to have been taken in 1943, the picture comes from Robin Anne’s own collection of images…
Note the very 40s look hairstyle, although, a fashion I feel, did not do Enid full justice…
At 9 years old Robin Anne is a quint essential schoolgirl having been educated at an all-girls school in Brighton.
This previously unpublished picture of Enid Stamp Taylor comes from her daughter Robin Anne’s own private collection. It shows a more unguarded Enid relaxing in the spring sunshine of 1935 in the back garden of her home in West London. The picture is thought to have been taken by Robin Anne’s Nanny.
There are many more images of Actress Enid Stamp Taylor, and much more information to be found by clicking Enid Stamp Taylor on my website.
The wartime evacuation of London’s children was a very key moment in the 1940′s, and here Enid Stamp Taylor plays her part in this promotional picture taken in her Park Lane apartment. ‘Standing in’ as an evacuee is Enid’s daughter Robin Anne. The evacuation of London’s children to far-flung parts of the United Kingdom is a subject that has been well debated over the years. It was a move thankfully that could never be contemplated today.
Three Generations…
This shot taken in 1934 depicts three generations of the Stamp Taylor family…
Agnes Stamp Taylor, mother to Enid Stamp Taylor, and Enid’s daughter Robin Anne.
The picture was loaned to me from Robin Anne’s own photo collection of her mother and grandmother.