A Wartime Evacuee…

The wartime evacuation of London’s children was a very key moment in the 1940′s, and here Enid Stamp Taylor plays her part in this promotional picture taken in her Park Lane apartment. ‘Standing in’ as an evacuee is Enid’s daughter Robin Anne. The evacuation of London’s children to far-flung parts of the United Kingdom is a subject that has been well debated over the years. It was a move thankfully that could never be contemplated today.

I was sad to learn from Jan Campbell in Australia that Robin Anne had died in the January of 2012 at the age of 78… Although, I had not met her again for some twenty years, she will be a woman greatly missed.

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The Shriving of Miss Esme Stamp…

Episode 18…A Part In A Show

“Dear Mrs Corton… Sounds rather formal that! Me knowing you and your mother the way I do… Anyway, Charlie told me where to find you…” With suddenness the animation in her veins froze. She unfolded the paper much closer to her eyes… So Charles knew where she was? “…Please forgive my cheek in writing” the note went on “Me being no great scholar as you know” The words faded a little in the spelling. Then there was a pause and an inky smudge. ” I’m putting up a show” The spelling became more difficult. “I remember as how you were so confident that evening at the ‘Peoples” A blob of dark ink now accompanied every forth word. “I want to talk to you about coming in on the show… There’s a lovely spot for your pretty face and educated voice” Charles should have made contact with her…if only to… She read on; “Charlie said you was abroad. France or some place… Then come home and got married… As if you were missing him like” The arrogance of the man! He knew she had returned from Madame Bourges and had done nothing! “So he wants to speak to you urgently on the telephone as soon as you can. Yours respectfully, Herbert J. Marks Esq.”

The unsettling content of the letter began to fade quickly in her mind like threads of failing light. She was composed quite by a certain calmness that now surrounded her. Edward appeared to take no further interest in her communication and sat quietly reading his newspaper. Rose had left the room. Secretly she folded the important paper to her hip pocket… Her mind had started backwards and sweet honey oozed from the potency of sudden excitement. Erasmic light danced in Esme’s head with tiny fairy toes and courtliness ushered her lips into a weird silent eroticism. Its touch and go of wordliness became brand new to the grasping plunge of Edward’s touch.

When he spoke, his eyes were only a little inquisitive to her indulgence, and yet, there was a hard and clear tone to his voice.

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Bletchley Park… Home of The Codebreakers…

Bletchley Park near Milton Keynes England was a secret for over 30 years. Once it was Britains best kept secret. The Enigma cipher machine was developed and used here during the second world war to break the German codes. It was very successful and believed to have shortened the war by around two years, saving countless lives.

Today the park is open to the public as a heritage site and museum, and Marilyn and I explored the wide range of exhibitions and learnt how its codebreaking successes worked. More incredible than fiction, the story of Bletchley Park was a desperate race against time. The mission of codebreakers like Alan Turin, was to crack Germany’s coded communications, such as those sent via the German Enigma machine. Bletchley Park was Churchill’s secret passion; he called the codebreakers his “Geese that laid the golden eggs but never cackled” 8.500 people worked at Bletchley Park during the war and all done with amazing secrecy.

Colossus was on view; this was the world’s first semi-programmable electronic computer and developed for Bletchley Park. The size of a small room, it used over 2,500 valves, and the rebuilt version is operational today.

Bletchley Park was the world’s first large-scale codebreaking centre, and there is much to see and do there. Marilyn and I enjoyed our day, visiting the Mansion House, a number of well-staged exhibitions, the fine Cafe, and the codebreaking huts. The Park is situated in a beautiful parkland setting, with a lake, wildlife and an American Garden Trail commemorating the special relationship formed here.

Bletchley Park is online @ www.bletchleypark.org.uk

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Warming For Winter…

A glass of whisky
The Glenlivet… Glenfarclas…. Glenfiddich… Cragganmore… Macallan…. Lagavulin… Taliskar… Aberlour… Tomintoul…. The label names are endless. I once entered a small shop in Covent Garden that was totally devoted to the sales of rare and often forgotten whisky brands. The store shelves were filled to bursting point and there was little room for a further bottle to be displayed in the overcrowded shop window.

Scotch whisky was thought to have been introduced into The Highlands and The Lowlands by Irish Monks determined to inflict their rare concoction on the rest of civilization and set about a myriad on the unsuspecting Scots and so you have to understand Scotch to fully appreciate its wonderful value to mankind. ‘The Water of Life’ is what the Scots call it! Early distillation in the 17th Century was a very ‘Dodgy’ affair: because ‘shots’ are poisonous and ‘after shots’ are undrinkable… Gunpowder was even added! Scotch is distilled in copper vats: why? well, if you have ever cut yourself on stainless steel you will know what I mean; copper can heal  much quicker than Stainless Steel.  Scotch needs to mature in Casks for a minimum of 3 years in order to be called Scotch Whisky and ‘Single Malt’ means that it is usually the product of a sole distillery and unblended On my many visits to this picturesque Land and aside from “The Water of Life” the scots are the most welcoming of people.

Myself, and the family would like to wish you, and all the many visitors to my website… A Very Enjoyable Winter Break and hope to see you again in the New Year.

christmas

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Christmas Steam…

Christmas and steam trains are made for each other. At the Leighton Buzzard Railway in Bedfordshire UK you and the family can enjoy an absolute dream. You can take a 25-minute festive ride througout the holiday period along a narrow-gauge railway with a history dating back to the First World War, then take a walk through a magic tunnel and meet Santa in his grotto where children up to the age of 12, will recieve a present and for the grown-ups, hot mince pies and hot punch await them in the Dobbers buffet!

www.buzzrail.co.uk

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Bus Jumps Tower Bridge…

I remember writing up this little item for my in-house school magazine all those years ago, it caught the imagination of my English Master who then rather favoured any further articles from me…

*1952: Perhaps the most famous — and most incredible — incident in this roll call concerns the number 78 double decker to Dulwich. A watchman’s mistake allowed the bus onto the bridge just as the northern bascule began to rise. By the time driver Albert Gunter (46) noticed, the bus had reached the point of no return. In a split-second decision, Gunter hammered down the accelerator and leapt a six-foot gap between the bascules. Twelve of those onboard suffered injuries, and the bus chassis was bent, but it limped on to safety. “Everything happened terribly quickly,” related the driver. “I felt I had to keep on otherwise the bus would have toppled into the river.” Gunter later received a £10 bonus for his unorthodox evasive action.

*Courtesy of The Londonist

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The Shriving of Miss Esme Stamp…

Episode 17…A Letter At Breakfast

‘Good morning my child’ Edward’s voice peeled out from the breakfast table like a well rehearsed chant – he called her ‘My Child’ when it suited him, just as a holy man might address someone of a devoted calling. It was… as if he took pleasure from it, almost to a point of some misguided derision. He would then slump back to a grown form of withdrawn discipline. He lifted himself up as she sat down and watched her inventively from his small round eyes.

‘Why don’t you shop in Bayswater? You’ve not been there for a long time have you.’ The question was odd and ill timed. Suddenly, Esme was wide awake.

‘What!’ Was the best she could manage.

‘I can phone your mother…You can go together’. He studied her carefully. ‘You could call on old friends!’ he added.

‘I don’t have friends in Bayswater, young or old. Neither does mother.’ Her voice now firm and she was almost sure that he knew nothing. A wild guess, perhaps some tattle from Rose, and besides what did Charles matter now, it was in the past. Her running blood slowed and cooled, in fact, he was no-one to her now. She jaggered a sufficing yawn and was silently handed a plate of toast from the outstretched arm of Rose.

‘Really, my dear, you must try and get a good night’s sleep.’ A stout glow of his eyes had a sacrificial bloating stare to them. ‘There is a letter for you.’ he announced. He passed a small white envelope across the table to her. ‘It didn’t take the liberty of opening it for you.’ he said with an added sarcastic grin.

Her delicate fingers ran along its issuing edge that gave way to a small piece of folded notepaper. It was headed with a simple rubber stamping, much too over-inked for the thinness of the paper and with a crude elevation it announced a brief communication from the superlative Mr. Marks… Quiet relish trouped inside her head. It had been a lifetime away. The moment passed into pleasure and her thoughts began to sing. With a little shaking haste she read on:

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Forgotten British Films…

THE POOL OF LONDON is a wonderfully evocative film drama of London and The London Docklands in 1950. Shot almost entirely with locations on The Thames and around Central London– it’s a look into a times past world! There are so many dramatic and nostalgic locations in the production- that it’s near-impossible to keep up with them! Released by Britain’s famous Ealing Studios…it features a strong cast in Bonar Colleano and wife Susan Shaw, Renee Asherson, and Earl Cameron. The screenplay was written by Jack Whittingham and John Eldridge, and the direction was handled by the master Basil Dearden.

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‘The Invaders’ from Quinn Martin…

The Invaders title screen.jpg

I was rather pleased to find a re-run of ‘The Invaders’ TV series from the 60s’ being aired on the Horror channel, not that I watch a horror movie these days, but I do remember ‘The Invaders’ with some respect and affection. Filmed in Hollywood and produced by Quinn Martin Productions it’s a classy Si-Fi and featuring Roy Thinnes as Architect David Vincent. The opening music and title to each episode is somewhat dramatic and quite creative and the storyline follows the exploits of alien beings from a dying planet who wish to make Earth their home at the cost of the human race. But they have taken human form and are hard to detect other than a few giveaways in their character. But David Vincent knows they are here and it becomes his quest to track them down and to try and convince a disbelieving world of their existence. It was aired on ITV and ABC in the states from 1967 – 1968. There were 43 episodes.

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Mitchell and Kenyon…

Found in the basement cellar of a shop in Blackburn Lancashire England were over 800 short films of Edwardian life in the North of England. They were made by the partnership of Sagar Mitchell and James Kenyon and the films they shot were of local people and events. It is a remarkable glimpse into history. They made the films to be shown at the Music Hall, Town Hall, or Fairgrounds. They were made for commercial reasons with the sole intention of putting ‘bums on seats’ after all, for people to see themselves on a projected screen was something new and quite wonderful!

Between 1897 and 1913 Mitchell and Kenyon made hundreds of short films depicting the everyday lives of ordinary people, and when the business closed its doors in the nineteen twenties their original negative film stock was left hidden away in the basement of the shop. Here it lay for years simply collecting dust until 1994 when a building contractor found three large metal drums containing hundreds of Mitchell and Kenyon films. The films were passed to a local film historian who in turn gave them to the British Film Institute Archives in Hertfordshire.

The film stock was nitrate, very delicate, and highly flammable, although the coolness of the basement must have helped to preserve the material from utter decay. The films were brittle, but the originals were painstakingly re-photographed onto modern film stock, a process that took around three years. They now form one of the largest collections of early non-fiction films in the world.

Kenyon had originally made penny slot-machines, and Mitchell had been a stills photographer. At the time they set-up in business together the moving image was the hi-tec of its time. Many of their films show people leaving work and putting as many faces on the screen as possible was their aim, after all, this was a paying public! They could watch themselves in showings at the Music Hall, Town Hall, or local Fairground. Mitchell and Kenyon would hand out lealets telling of the showing times and where, and saying “See Yourselves As Others See You”

Mitchell and Kenyon did also show the prosperous side of Edwardian life in visiting other larger towns and cities with their camera and they also made a number of rather stilted dramas that were less accepted by the public who really loved their ‘local’ films.

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