Forgotten British Films…

Thunder Rock 1942 A very unusual and thought provoking film set upon the The Great Lakes of North America. It tells the story of a Lighthouse Keeper played by Michael Redgrave who mantains the light on the isolated Thunder Rock. He is running away from real life events and lives in a dream world of shipwrecked characters who in time help him overcome his problems. Produced by the Boulting Brothers with a script by Bernard Miles and Jeffrey Dell and co stars James Mason. It was originally based on a play by Robert Ardrey.

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The Shriving of Miss Esme Stamp…

Episode 11…Charles Faces Constance

Charles returned to the house by early evening with the single minded edict that only haunts those driven by passion. He demanded to be admitted. He insisted he speak to Esme; to make his position in her affection settled and to lay siege to any voice of displeasure.

Emily was told to show him to the sitting room. He stood with red determination before a nervous Constance. She had no real measure of this man. She had no tack of his strength of weakness. He was an untidier of women. He was an upseter in her world. She held an enraged eye.

‘I know you have slept with my daughter Mr. Hepworth!’ her first words were ruinous and repelling – like the disarming sways cut through French lines by English archers.

‘She told you…!’ He spluttered the words in total embarrassment and floundered trying to remap his thoughts at this cracking open volley that had the stench of loathing about it. He was not asked to sit. Not given that courtesy. Not allowed a privilege. He stood on the bank of a wide endless river, unable to cross to the far distant shore.

‘I do not want you to see my daughter again. She has made an error of judgment. By God, if you have made her pregnant! You will pay, and pay dearly.’ Constance stared out from her thunderclap face.

‘I can’t believe she would tell you such a thing. Esme is…’

‘You may believe as you wish Mr. Hepworth. My daughter and I…have a close relationship. I will not have her fouled in this way.’

‘Fouled!’

They eyed each other across a stretch that had now become a battlefield and a heavy dismal air wrapped itself about the room.

‘Where is she? I want to see her.’ His voice raised itself with a confounded energy. ‘I want to hear what she has to say!’ he persisted. ‘She must tell me face to face, that she does not want me!’ His face was full of sudden anger. ‘She must be in the house!’ He turned away from Constance and flung open the door that led to the hallway. ‘She’s upstairs! I know she is. Otherwise she would have come to me.’

‘My daughter is not in the house!’ Constance bawled the words on the diminishing figure of Charles with an expanding air of a marshalling authority that was mustered up from within her rapidly heaving bosom. Her tongue still razored. She would only be stopped by the stimulation of higher meddling. He had already crossed the cipolin marble floor and mounted the broad turning stairway: for a non-resident who was not a doctor; the matter was a gross impudence.

‘Fetch a Constable!’ groaned Constance, at the sight of Emily in hallway. ‘There’s a maniac loose in the house and he’s going to kill us!’

Esme lay on her bed. Her mother’s wisdom had laid her flat and depleted her resources. Through her eyes of crinkle-dried droplets her world seemed pinched out like the delicate flame of some past vibrant candle. Her mother would never accept that love was enough. That her union was satisfactory. That it was sufficient to her and all else would take care of itself. In her mother’s mind things had to be orderly, planned, manipulated: taken by the scruff of the neck and shaken until they were comfortable to the touch. It was the commotion coming from the hallway and the raised voices, becoming louder by the second, which suddenly repossessed her thoughts. For a moment she did not understand the hullabaloo; then she realized! It was his voice and it was coming closer. Closer to her!

‘Esme! Where are you?’ His voice was near, almost outside her room. Her heart rushed. Life flowed within her veins once more. Her mind ran wild with thirsty spoors of thought. She flung open the door and sucked in air filled with his presence. He reached for her in a closing embrace and their lips crushed one another. Their bodies touched in crimson fire and they drowned in the deep measure of a staying kiss.

‘Oh Esme,’ he wailed; ‘how I’ve missed you. Your mother would not let me see you.’

Her lips about his face; she simpered in tears of lawless profusion. ‘Take me away; I want to go with you. I can’t stay here any longer!’

With a gentle tenderness his finger crossed her forehead and ran down the bridge of her nose. It stopped at her lips. His mind was bright and decisive. ‘You will come with me now,’ he said. ‘Don’t pack anything…I’ll buy you what you need!’ His manner was rich in fiery blood. He carried the whispering echoes of vital man. There was quiet strength in his eyes.

‘Now come along Sir! There’s a good gentleman.’ A bold estuary voice from somewhere below made them turn with suddenness. It delivered the cry of authority and the well-rehearsed calculation of officalism.

A podgy constable was perched somewhat precariously on the turn of the stairs; a hesitant arm holding nervously to the lustrous dark banister.

‘Best you come down Sir; best for all.’

Charles looked beyond the constable to the bewildered gaze of Emily and the determined face of Constance, and for one brief moment he wondered what he was doing. Was he not sure? The pathetic scene below reminded him of some stage farce. He turned his head once more to Esme. She was waiting for his word. Waiting for instruction. Her eyes searched his face for assurance.

‘Leave the young lady Sir, and come down.’ The asking voice was almost whimsical. As if, telling off a rampant schoolboy. But the man had decided on a steady foot by foot accent of the stairs. He was not going to back away, or be put off. He had the decree of his nomination incised in the lines of his fattening face.

‘Go away; can’t you! Mind your own bloody business. This has nothing to do with you.’ In Charles voice was the obstinacy and single-minded purpose of existence. ‘We are going to be together: despite you!’ He threw the words in the direction of his goggled-eyed onlookers and took Esme’s hand tightly; moving forward and toward the middle-aged man on the stairs. ‘We are coming down,’ he announced, ‘and she is coming with me!’ Esme was shaking. Her face became grim. Her hand within his; was sticky with sweat.

‘Esme,’ her mother spoke; almost in a whisper, her voice carried in a solid silence, ‘don’t do this to me?’

She closed tightly on his hand and peered down with ruling. She said nothing to her mother.

Constance now roared at the constable that the intruder be arrested. That he was not to take her daughter from the house. Her face was puffed and her pinched-up anger had a recoiled force. She was determined to send this upseter packing and restore the cast of propriety again.

The policeman having now been urged on; took a step up, and within that sudden juncture; his face showed a portion of understanding. ‘Better that you come downstairs.’ He looked at Charles with misfortune in his eyes, and then righted himself. ‘I’m sure you don’t want to be arrested for trespass and abduction…does you?’

The heaviness was puddle. Charles, still holding Esme’s hand was swathed in an air of curious quality. He tried to move past the man on the stairs; but could not.

‘This is all rather silly sirs. I warn you – if you try that again! I will have to arrest you.’ The constable looked sternly at Charles.

Then suddenly without warning; and gripping tight to Esme’s hand – Charles propelled them past the started officer and was part-way down the stairs before they could go no further. A forceful grip wrenched his right arm up behind his back, forcing him off balance, and within a thrice, he was anchored in the lambent steel of a pair of handcuffs.

He was led from the house in hopelessness. Esme groaned and tugged at the constable’s heavy tunic. ‘That’s enough!’ He ordered, with a crushing righteousness. She stood in fear, her face in distorted misery. ‘Leave him alone, you bastard!’ she screamed, and kicked the constable several times with her soft fleshy feet.

‘Charles, don’t leave me,’ she wailed uselessly, ‘don’t leave me here!’

He tried to turn his head in her direction. Now a heavy hand held him firmly by his collared neck. He shouted to her. But his voice was strained and garbled. Esme’s anger turned to frustration. She picked up a large hall vase and hurled it at the nuisance. It missed the constable’s head and crashed down in a clap of doom somewhere on the marble floor. She begged the constable to let him go and called to Charles to pull himself free and run back to her. But it was useless. The grip of the man was like the hangman’s rope itself. She cried out to Charles; in love and loyalty; ranting to go to him and held back by Constance and a weeping Emily.

‘Esme, please don’t make matters worse.’ Her mother’s voice was hurtful and powered by self-interest once more.

‘Worse…! How can it be worse?’ She screamed into her mother’s hostile face. ‘Don’t you think that you have made it bad enough?’ Esme’s strong eyes were full of hatred. An indwelling of dislike to all who would disallow her. They were leaving! She aimed her despair in his direction. Her anger flung about in the air; ‘Charles, if you allow this man to take you from the house….you are a weakling! I have no time for Weaklings!’ Her hysterical cry screamed her hurt through her tightly-drawn mouth. Her anger had taken against him and she would aspire to her womanhood; ‘Don’t come back ever again…’ Then they were gone; and she was lost.

Charles was walked; still cuffed, to a police house in a nearby street. By ten o’clock that evening Constance had made no formal charge against him and he was released and allowed; with an accompanying officer; to collect his motor vehicle from a now peaceful Primrose Hill. ‘…and let’s hear no more about it, there’s a good fella…or else.’ said the constable and departed into the darkness.

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Forgotten British Films…

Pimpernel Smith 1941 (US Mister V) Based on the theme of The Scarlet Pimpernel, an absent-minded university professor played by Leslie Howard helps certain people escape the Gestapo during the second world war and flee to the UK. An enjoyable film that I now and again dust off and sit down and watch. The plot is a little too unreal but the acting particularly from Leslie Howard is first class and a joy to watch. It was based on a novel by A.G. MacDonnell and also directed by Leslie Howard featuring a host of supporting actors of the time, also includes a short appearance of Oriel Ross the well known painter.

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Lesley Eyles…

Stepping back in time…

I felt that I would like to include these press cuttings from 1969 on the blog as they were emailed to me by Denis O’Donoghue who at the time was a Journalist for Home Counties Newspapers here in the UK. The clippings show flight desk cashier Lesley Eyles wearing clothes that she had designed and made herself for very little cost! Denis wrote the story and I shot the pictures. Sadly, it’s material that I no longer have, so I was very pleased to see Lesley again, albeit in print form after so many years. Perhaps she became a fashion designer, I don’t suppose I shall ever know…

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Forgotten British Films…

The Trollenberg Terror 1958 (US The Crawling Eye) I have not seen this British film for many a long year and I’m not sure if there are any copies around. Creatures from another world live in a radioactive cloud at the top of a Swiss mountain. There are decapitated victims and with the help from a couple of telepathic sisters the creatures are destroyed with bombs. Silly, but fun, and based loosely on a TV show. It features actors Warren Mitchell, Forrest Tucker, and Laurence Payne, and was directed by Quintin Lawrence for Tempean Films.

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Forgotten British Films…

The Man Who Never Was 1955 I’m lucky to have a copy of this striking colour film of 1955. It’s based on a true incident during the second world war when a body is washed up on a Spanish shore containing misleading documents of an impending Allied invasion through Greece. The Germans send a spy to London to check if the documents are genuine and find that they are because the British had laid a cunning plan to which no stone had been left unturned. A riveting story that won a British Oscar for its screenplay by Nigel Balchin. Filmed in Eastman Colour, it was directed by Ronald Neame, and based on an original book by Ewen Montagu who thought up the scheme.

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Return to Stanborough Park and Lakes…

Well, as we seem to be having a mini heat wave in the UK, we thought it would be nice to make a return visit at the weekend to Stanborough Park and Lakes near Welwyn Garden City. (See previous blog on Stanborough Park and Lakes)

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Stanborough Park…

We spent a very enjoyable Sunday afternoon taking in the two large lakes of Stanborough Park near Welwyn Garden City UK. The Lakes and the River Lea at Stanborough are home to a great many types of Wildfowl including Mallard, Moorhen, Coot, Canada Goose and Tufted Duck and provides an ideal habitat for many kinds of birds to live and feed. Feeding the birds of Stanborough Park is a popular pastime for many visitors. The North Lake is the smaller of the two and its shallow water makes for ideal bird watching or even taking out a rowing boat during a warm summer. The South Lake offers the spectator the best view into the parks main water sports and gives the chance to relax in the lakes flourishing surroundings, and so, by 4.0’clock we were all ready for a wonderful cook-from- scratch meal at the nearby Crooked Chimney.

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The Shriving of Miss Esme Stamp…

Episode 10…Principles

It was a subdued event. They sat facing each other across a table of mixed silverware. Their differing views reflected in its elbow- polished surface. The table lengthened to a darkening abyss at the far end of the room. Lost and empty. Barren of its worthiness. Washed over with dusted respectability.

Her mother’s conversation was of the stilted kind. Made up of awkward sentences of kindness and firm intention. She risked outburst; weighed only by sensible words – a woman was tied to a man lest she starve or end in the workhouse – best she coupled to the richest on offer – aside from the most agreeable in looks and romance. Those who worked at money rarely had to prove much of their appearance and yet like to possess things of beauty…things that are costly. The more costly to them…the more desirable they become. A woman presented with the opportunity for such fortune could soon amass her own security…and in return for her simple pleasantness and company…and the odd occasion to the bedroom. She would be wifely in all outward appearance and if love did not strike – then for all intention she must assume the role of respectability that concerns a woman of wealth and domesticity. As for Charles; this must end! It has no future. She has no particular dislike of the man, only of his ways and lifestyle; the music halls and theatre people he enwrapped himself in; were for the better part; doubtful members of society whose fortunes were made and lost on the unpredictability of their popularity. No! This nonsense had to stop before it went too far! Nipped in the bud. Charles may seem to offer all she wanted in a man…but it was not enough. Tomorrow, he may be broke…a victim of indifference! She finished: ‘the world is full of haves and have nots, my girl. Best you be a have!’

Esme listened like a child and said nothing. She would have to be cunning, she thought. Her mother had the sword edge – the upper hand. Esme sat; her face soaked in disdainful looks, withdrawn, without a single reason to agree.

Emily brought in a dish of faggots; of rich liver, chopped apple and red onion, seasoned with herbs and spices. ‘Cook’s done a special madam,’ she announced with an interested eye. Her steadiness had a marked respect for her employer, and she knew too, that the dish had been prepared particularly to cheer Esme.

The meal tried to raise her spirits, but her thoughts remained locked in the dark valleys of her despair. Her mother’s views; valued in upright sanity…could only serve to torment her soul and cast her life to a raging and depressing air. She wished he would come to her. He must soon. He would stop her mother in her tracks. He would remove her from her glare. He would take her in his arms and make her whole again. In that moment…that was no more than a pin-prick in time…her skin gleamed with the pastel tinted hue of a summer flower; her eyes darted with pulsing racing blood, and her ears became fine and delicate…and listening.

She ate the food in slow delicate mouthfuls, each one full of parading thoughts. Her mother’s mouth was still talking but the sounds became slowly distant and decaying.

At half-past two, Charles was turned away from the front door, by Emily in the least heartless way, and his car slid like a whipped animal away from the kerb and headed south towards Bayswater. He had made no fuss. No scene. He had felt guilty; as if some secret had been made public. He would collect his thoughts, he told himself. He would return.

Esme raged and smashed things; having returned from the bathroom to see his car in closing fragments pulling away. She regaled into a stormy distress and was only restrained with care and understanding by her mother and Emily. She was ugly this way. Drained and retreated. The slam of her bedroom door was heard by cook. ‘Surely there is something they can do?’ she wailed to herself. Esme fell to her bed. Her clenched fists clung at the eiderdown quilt; ringing it to tight balls. Her anger rolling in tears of desperation and her mouth in wide gasping taunts.

‘It’s not for me to say, madam,’ remarked Emily, her body gripped with apprehension, ‘but I can’t bear to see Miss Esme this way…perhaps you ought to let her see the young gentleman,’ she was careful, frightened at her own words.

Constance almost gave in to this fervor, but did not. ‘You’re quite right…it is not your place to give me advice,’ she snapped with entire indignation and Emily shrunk back at once like a wounded rabbit. ‘Go about your chores…I will attend to my daughter!’ Emily scuttled away in parlour maid fashion – safe in earth’s embracing maintenance.

By four o’clock Esme was calm. Her tantrum had ebbed and dark placid depression was feeding its own intensity. She had cursed a thousand times that she would not be kept from her beloved Charles…that she would find a way. That she would escape from her prison and live with him! She would find work scrubbing dishes or washing floors; and worship his beautiful soul for all eternity! They would never be apart. Never!

Her mother left her to rest in the curtained numbness of her room and kept a watchful ear for the sounds of movement and a watchful eye on the front door. In this defiant air of martyrdom and misplaced loyalties…her daughter was capable of all! In the lounge Constance poured herself a large Scotch and stared hard into the glass as if it were full of nettles…and found no reason to drink it. She sat back on the large crystal-green sofa. George was on her mind. He had been there from the moment the first flickers of grey dawn crept in through the half open window of her spring morning bedroom. He was there…placing images in her mind. Images she loved. Thoughts she treasured. Her mind ran with pleasures – of when he first came calling to take her out; and her mother’s dismay and distaste at their mention of marriage. ‘He’s the third son of a village doctor,’ she had ranted, ‘so you won’t inherit much there!’

But they had married despite disapproval and made a few wonderful years together before that fateful day on the Somme. Esme was the fruits of their union. The result of their emotion. She was possessed of their fire and passion and tenderness and hope.

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Forgotten British Films…

Tawny Pipet 1944 A charming film that illustrates English village life during the last world war. Shot almost entirely in the village of Lower Slaughter in the Cotswolds, a village considered to be one of the most beautiful in England. It characterizes the English love of the countryside and nature, and in this case the care and protection of some very rare breeding birds. It features Bernard Miles, Rosamund John, and Niall MacGinnis (later to star in Jason and the Argonauts) and their fight against soldiers with tanks who want to disturb the pipets, a farmer that wants to plough the field, and egg stealers. In the end the Ministry of Agriculture step in and save the day! The eggs hatch in time and everyone is happy. A wonderfully English film that perhaps would not travel well, but would fill British cinema seats in its day. Originally filmed in Sepiatone and now available from Amazon.

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